Mary Tyler Moore, at left, with co-star
James Farentino in their 1985 television show "Mary".
Source: www.imdb.com/title/tt0088562/
(may be subject to copyright)
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She had blazed quite a trail for women in the ‘60s and ‘70s, but by
the time the 1980s rolled around, Mary Tyler Moore had reached the zenith of
her career. During the decade, she had unparallelled dramatic success in her career, and
transitioned into television production, although by the close of the decade she
twice was unable to recapture the magic and the popularity she had on
television.
Mary Tyler Moore passed away in 2017 and, looking back at her career, she
built quite a strong resumé of strong female characters, starting in a time
when very few others existed. She truly was one of the groundbreaking
trailblazers on television, and her legacy lives on in the multitude of strong
women on TV today.
Legs and brains
Mary Tyler had her first continuing role on TV in “Richard Diamond,
Private Detective” where she played a receptionist. Interestingly, her voice
was heard and only her legs appeared on camera. I never saw the show, but saw
clips as part of some history of television.
It was in 1961 that her face became well known when she began a
five-year run on “The Dick Van Dyke Show” playing Laura Petrie, wife of Rob
Petrie played by Van Dyke. That show went off the air in the 1960s, long before
I was born. I did see an episode when Channel 7 on peasant vision celebrated
its anniversary by showing a bunch of old shows it broadcast over the years.
Over the span of a week or two, they re-broadcast “The Twilight Zone”, and “The
Honeymooners” among other things, and an episode of “The Dick Van Dyke Show”.
That was my first exposure to that show.
What I recall most, aside from the fact it was still pretty funny was
how young she looked.
Why was that?
Because, I had grown up watching her on the “Mary Tyler Moore Show”,
where she broke ground as a single woman, working in a management position.
That show had some classic moments. Everyone who has seen the show,
points to the “The Death of Chuckles the Clown” episode, as the hallmark of
the show. That was one of the funniest episodes. However, for me, my biggest
memory comes right from the opening show.
Mary Richards is being interviewed by Lou Grant, played by Ed Asner.
He starts in with a bunch of questions, and the exchange goes something like
this.
“What religion are you?” he asks.
“Mr. Grant, you really aren’t allowed to ask me that,” Mary responds.
“Oh, okay. Are you married?”
“Presbyterian.”
It was classic TV, and set the stage for a show with rich,
well-written characters.
Yet, the show had its send-off, and it actually did have a final,
farewell episode, before the dawn of the 1980s.
It was the climax of a TV career for Mary Tyler Moore that would never
return to the same heights as it had been.
Mary Tyler Moore in 1980's "Ordinary People", perhaps her greatest dramatic role.
Source: http://lecinemadreams.blogspot.com/2018/03/ordinary-people-1980.html
(may be subject to copyright)
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Mary Tyler Moore opened the decade with a stirring performance in “Ordinary
People”, a theatrical release that looked into the lives of a family after a
son takes his own life. Moore played the grieving mother, struggling to cope
with her loss. Her efforts earned her an Oscar nomination for best actress.
She would hit another home run in 1984 playing the wife to James
Garner’s Harold Lear in the television movie “Heartsounds”, garnering her more
critical acclaim and another award nomination. It was the story of a doctor who
develops a heart condition and must contend with the health-care system. This
time Mary Tyler Moore earned an Emmy nomination for outstanding lead actress in
a limited series or special.
She would earn two more award nominations in the decade – a CableACE
award nomination in 1985 for Finnegan Begin Again, and another Emmy nomination
for outstanding lead actress in a limited series or special in 1988 for playing
Mary Todd Lincoln in "Lincoln".
That proved to be the height of the decade for Moore.
She would try her hand at two more series, neither gaining any
traction from viewers.
In 1985, she starred in “Mary” as Mary Brenner, a former high profile
writer at a fashion magazine who goes to work at a tabloid. The show also featured
James Farentino, John Astin and a young Katey Sagal. It was cancelled after 13
episodes.
Moore was back again in 1988, starring in “Annie McGuire” where she
played a newlywed with children, trying to cope with her life and ageing
parents. One of its cast members was a 15-year-old Adrien Brody who would go on to win an Oscar in
2002 for “The Pianist”. “Annie McGuire” aired just eight episodes, with another
three that never made the air.
Television production
Mary Tyler Moore in her
1988 television show "Annie McGuire".
Source: www.famousfix.com/topic/annie-mcguire
(may be subject to copyright)
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One of the interesting features was that each show had its own unique
closing credits involving “Mimsie”, the cat mascot for MTM. In “Remington
Steele”, it had a Sherlock Holmes hat and pipe. In “The White Shadow”, it
dribbled a basketball. In “WKRP in Cincinnati” it had sunglasses and played
rock music. In “Newhart” it said meow with Bob Newhart’s voice. In “Hill Street
Blues” it was dressed like a police officer. In “St. Elsewhere” it was in
surgical garb.
Diabetes
Another aspect of Mary Tyler Moore’s life was the awareness she raised
around diabetes. I recall a commercial on one of the channels talking about
diabetes and some of the famous people who had it such as hockey player Bobby
Clarke and actor Mary Tyler Moore. It was a cause she trumpeted throughout her life.
Parting thoughts
Mary Tyler Moore would continue on acting, including a return to the
role of Mary Richards in a reunion movie with Valerie Harper as her best friend
Rhoda Morgenstern in 1998.
She will always be remembered as a woman who played roles well beyond
the conventional, or stereotypical roles of the time. She played strong women
and, in her award-winning sitcom, a woman in a leadership role. That was almost
unheard of then.
Moore will also be remembered for enabling creative shows to emerge
through MTM Enterprises. Some of those, such as “Newhart”, “The White Shadow”,
and “St. Elsewhere” were innovative, and even groundbreaking.
And, she was a champion for several causes, most notably diabetes. It
was a disease from which she suffered, but she wanted to raise awareness of it, and
tell people with diabetes they can lead normal, or in her case, extraordinary
lives.
She would never recreate the success she had in the 1970s, but she
successfully transitioned into theatrical and television movies, where she
earned several award nominations in the 1980s.
All told, Mary Tyler was a trailblazer, a ground breaker, and a role
model for a generation of women.
*This is from the vault
*This is from the vault
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